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Related Artists:
UDEN, Lucas van
Flemish painter (b. 1595, Antwerpen, d. 1672, Antwerpen). Flemish painter, draughtsman and engraver. He was the son of Artus van Uden (b 1544), town painter of Antwerp, and grandson of Pieter van Uden (i) ( fl 1553), founder of a noted tapestry and silk factory in the city. Lucas was probably trained by his father and in 1626-7 was enrolled in the Antwerp Guild of St Luke as a 'master's son'. On 14 February 1627 he married Anna van Woelput (d 1667). On 31 December 1649 he was registered as no longer living in the city,
Alfred Wahlberg
1834-1906,Swedish painter. He received some tuition in drawing at the Royal Academy of Arts in Stockholm, although he was never formally enrolled as a student. In 1857 he went to D?sseldorf where he was a student of Hans Fredrik Gude. Swedish Landscape, Kolm?rden (1866; Stockholm, Nmus.) is representative of Wahlberg's D?sseldorf period. After a journey to the Netherlands and Belgium he returned to Stockholm in 1862 and became a member of the circle of artists around Karl XV.
Jean-Francois Portaels
(3 April 1818 - 8 February 1895) was a Belgian orientalist painter and director of the Academie Royale des Beaux-Arts in Brussels. Portaels was born in Vilvoorde. His father, a rich brewer, sent him to study at the Royal Academy, whose director, François Navez, took him on soon after in his own workshop. About 1841 Portaels went to Paris, where he was well received by Paul Delaroche. The Rose VendorAfter his return to Belgium, he won the Grand Prix de Rome in 1842. He then travelled through Italy, Greece, Morocco, Algeria, Egypt, the Lebanon, Judaea, Spain, Hungary and Norway. On his return to Belgium in 1847 Portaels succeeded H. Vanderhaert as Director of the Academy in Ghent. In 1849 he married the daughter of his first teacher, Navez, and in 1850 he settled in Brussels; but when he did not get the post of director of the Brussels academy, and wished, nevertheless, to carry on teaching as his father-in-law had done, he opened a private studio-school, which became one of great significance in the development of Belgian art. Once more he went on his travels, spending time in Morocco; he returned to Brussels in 1874, and in 1878 became Director of the Academie Royale des Beaux-Arts which had so long been the object of his ambition. He died in Schaerbeek.